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Photoshop

Compositing in Photoshop Touch

20/09/2012

As part of our Adobe Touch Week Howard takes a look at Photoshop Touch on the iPad and puts it through its paces by compositing two images. [More]

Adobe Nav for iPad

18/09/2012

As wonderful as Adobe Photoshop is, I doubt there is a person that would call it simple.. There are many ways to do just about anything, from choosing which tool to use, find that skin smoothing [More]

Fixing Franken-Face

12/09/2012

What is “Franken-face”? Consider this image: A young woman sitting on a pony on a bright and sunny day; what a great memory! The daughter of the woman pictured cherishes it, but would [More]

The Photoshop CS6 Oil Paint Filter

07/09/2012

Sometimes it’s good to take a step back and have a little fun with Photoshop. Try new filters, new blend modes… experiment a bit!  CS6 offers plenty of opportunity for this with new [More]

Photoshop Signature Brushes and Shapes

21/08/2012

Whether you want to watermark your images, or just an a tasteful signature for artistic flair, there are several ways to accomplish this in Photoshop. In this tutorial, we’ll look at two ways to create a signature that can be applied over and over – one method using Photoshop’s Brush Engine, and the second using Photoshop Custom Shapes. [More]

Taming your Photoshop Presets

17/08/2012

Do you suffer from unsightly, bulging panels? Are your pickers bursting at the seams? Would you like to shed a few hundred items but still be able to enjoy a healthy choice of custom presets? [More]

19th Century Beauty Experiment

15/08/2012

What makes portrait photography so much better today than it was in the 19th century? Because, let’s face it, most of those folks didn’t look their best. Was it the lighting? Lack of make-up? The equipment? I imagine all of the above played a part, along with the fact that the subject had to sit up to 15 minutes due to the exposure time, hence no smiles. The lighting, especially at first, was quite harsh. In the beginning limelight was used, which resulted in extremely white, chalky faces, and later, battery operated arc lamps which were also quite stark. Later, around the turn of the century, full walls of windows were often used, taking advantage of daylight, as well as electric light. Even though the renaissance masters figured out how to harness and soften light to paint by (Rembrandt used shutters and a white cloth hanging over the windows to diffuse light), photographic portraiture wouldn’t reach that level until much later in the game. [More]

Book-Cover Composite Themes with Photoshop

14/08/2012

Using some quick compositing techniques, you can create a series of book covers, CD covers, artwork, or related graphical designs that look different, yet share a common feel and theme. This video tutorial uses Photoshop CS6, but the techniques apply to any recent version of Photoshop. [More]

Fixing Chromatic Aberration in ACR 7.1

10/08/2012

Shortly after Photoshop CS6 was released, Adobe provided a very useful update to users of the Camera Raw plugin: brand new tools for removing CA or chromatic aberration! CA is the fancy term given to the fuzzy "color fringes" that we often see, in shots taken under bright light. Just zoom in between 100-300%, and as you pan around the subject, check the high contrast edges. Subjects shot against a bright skies or lights are particularly vulnerable to displaying CA. Fortunately there's a very easy solution in Camera Raw 7.1 that requires only a few clicks. Let's take a look. [More]

Use Photoshop to Add Some Cloud

08/08/2012

Sometimes a blue sky is lovely, especially when you're trying to get a tan :) but sometimes you may want to add some clouds to that perfect sky – it may make things more interesting. That's easily achieved with this Photoshop quick tip. [More]
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