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Video Tutorial

Photoshop Compositing with 3D (Part 2)

20/03/2012

In this two part video tutorial, we look at creating a surreal scene with 3D and traditional 2D elements. In this second part, we add the 3D elements and explore ways of integrating the 2D and 3D parts into a unified whole. [More]

Using Non-Linear History in Photoshop

16/03/2012

The History panel within Photoshop is something most users have made us of in their workflows. One of the most common things I see happen with beginners is accidentally erasing History Steps (aka History States). This generally happens when someone clicks a Snapshot not realizing that can erase History, or more often someone chooses a previous step and does something new. If you add non-linear history to your workflow that's a quick way to keep as much of your history as you've set in your preferences. Enjoy! [More]

Photoshop Compositing with 3D (Part 1)

13/03/2012

In this two part video tutorial, we look at creating a surreal scene with 3D and traditional 2D elements. In this first part, we set the scene by compositing various landscape elements together to provide the backdrop for our 3D model. [More]

Solids of Revolution with Photoshop CS5 Extended

06/03/2012

Photoshop CS5 Extended can create solids of revolution, but the technique is a little bit obscure, and requires wrestling with the Repousse interface. Watch this video to see how to create a revolved 3D solid, to render it with reflections, and to integrate it into a 2D background. [More]

Mixer Brush Tips

21/02/2012

With Photoshop CS5, Adobe brought us the Mixer Brush, which, along with the new Bristle Brushes, are perhaps the biggest makeover in the brush engine since version 7.0. In today’s video tip, you’ll learn a few basic techniques for setting up and using Mixer Brushes – including the often overlooked capability of loading your brush with multiple colors at one time. Happy painting! [More]

Take Control of your Photoshop Brushes!

14/02/2012

Are you tired of the hunt and peck method of finding your favorite Photoshop brushes? Learn to organize and save your favorite brushes with Preset Manager. With you could save an entire palette of brushes with color and opacity preset? You can, and today we'll see how using Tool Presets. [More]

Solarisation in Photoshop or Lightroom

10/02/2012

With all the whizz bang thrills that software such as Photoshop has given us, you’d be forgiven for thinking that it’s Photoshop that’s driven photographers to be creative. But that’s not [More]

Camera Raw Workflow Tips

07/02/2012

In today’s video tip, you won’t learn how to create or apply cool develop settings to make your images look amazing. What you will learn is how to set or change your Camera Raw workflow, how to understand when and why unusual things are happening in Camera Raw, and ways to gain speed and efficiency with your Camera Raw workflow [More]

Filter Your Photos in Lightroom

06/01/2012

If you’re a regular Lightroom user then you’ll know just how fast your Lightroom Catalogue can grow. It’s not unusual to find photographers with tens of thousands of images in a single [More]

Christmas Cookies in Photoshop 3D

20/12/2011

The gifts are wrapped, the tree is decorated, and you’re ready for your long winter’s nap. But wait – you’ve forgotten something: the cookies! Never fear, with Photoshop you can whip up some [More]

Tis The Season – Holiday Photo Clinic

19/12/2011

Join Rich as he tackles 12 holiday images. This in-depth class will show you how to fix both standard and advanced problems that often plague holiday photos. With almost an hour of tuition Rich shares some great techniques that will be handy all year! [More]

How to Record a Photoshop Action

16/12/2011

If you’ve never experienced the amazing power of Photoshop actions before, then you may well have missed out on something special. Perhaps you’re one of the many people who have tried the built [More]

Shadow and Highlights with Adobe Camera Raw

28/11/2011

In this follow-up to last week’s video, Rich Harrington teaches us how to fix clipped shadows, overblown highlights, and soft detail when working with photos shot under low lift conditions. [More]
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