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Photoshop Quick Selection Tool

19/09/2013

One of the easiest ways select objects with complex shapes, especially in a high-contrast photograph, is to use the Quick Selection Tool. It provides a simple "brush to select" technique, with several options for tweaking and refining the initial selection, including direct access to the Refine Edge command. [More]

The Photoshop Photography Program

18/09/2013

Many existing users of Adobe software were a little disgruntled by the move to Creative Cloud earlier in the year. Many of our readers were among them citing that, if you only use a couple of products then Creative Cloud seemed a little like paying for an over expensive sledgehammer to crack a nut. Adobe seemed to listen and answered queries as best they could at the time. To their credit, they also contacted TipSquirrel.com to see if we were ok fielding the questions and accusations that were cropping up in our comments and Facebook feed. Adobe last night announced that their solution to the problem, The Photoshop Photography Program has gone live, and should, hopefully, appease existing customers that would like Photoshop CC. [More]

3D Filmstrip Effect in Photoshop

17/09/2013

Take advantage of the 3D capabilities of Photoshop to make a real film strip that you can twist, move and position in your composition with complete flexibility. [More]

Our New Photoshop Workshop

16/09/2013

We’re delighted to announce our latest workshop! Run by Eric Renno, this workshop will look at workflow, and making the most out of Photoshop, to take you images from “Dull to Dynamic”. As an Adobe Certified Expert, Eric knows Photoshop inside and out and has a few tricks up his sleeve, while his experience as a lecturer means he knows how to bring fun into learning. He’ll be passing on time saving ideas as well as some actions and presets that he finds useful, all of which you’ll take home with you. [More]

Replacing a view through a window with clipping masks in Photoshop Elements

13/09/2013

In this month's Photoshop Elements tutorial I'm going to demonstrate a neat trick for changing the view through a window. There are many ways to approach this, of course, this is a particularly versatile method, however. Instead of cutting out the glass areas of the window and putting the new view beneath, we'll use the window panes as a clipping mask. If you're unfamiliar with the concept of clipping masks, it's a way of hiding parts of a layer based on the visible areas of the layer below. In this case, only the parts of the new view will be visible where they overlap the window panes, giving the impression that we're seeing the scene behind the window frame. This is often preferable to the usual masking technique, particularly if we want to use multiple images to build the composite, where the layers would need to be beneath the target layer as we can control the visibility without the need to move the layers around in the stack. If we want to see the whole image, we simply unclip it. [More]

Tonemap 32 bit Images in Lightroom

10/09/2013

Lightroom has the capability to work with 32 bit images. This allows you to use all the familiar Lightroom Develop Module controls for adjusting and enhancing your high dynamic range (HDR) merged images. The results are natural and realistic, and it's a pleasure to work with the full range of adjustment controls and tools with which we're so familiar right within Lightroom. [More]

Add a Subtle Punch to Eyes in Photoshop

09/09/2013

In this video I add punch in such a way that you might first think that its counter intuitive. Subtlety is the key here. This technique is based on a tutorial I saw many years ago by retoucher extraordinaire, Dave Ceurdon. [More]

Cropping in Photoshop CS6 and CC

06/09/2013

The crop tool is a fundamental tool in Photoshop. I use it on almost all my photos and not just for cropping closer. Used correctly the crop tool can straighten horizons, add a dramatic angle and even make a border. So when Adobe redesigned the Crop Tool in Photoshop CS6 they radically changes how the tool works. Any change to the Crop Tool was going to be tricky for die hard Photoshop users and some features are more welcome then others. In this video I’ll run through the major features that I use day to day as well as some of the further changes made to Photoshop CC’s Crop Tool. I know a few Photoshop users wish that Adobe had left the Crop Tool alone so at the end of the video I’ll tell you how to turn back the clock and get as close to the classic cropping experience as possible. [More]

Photoshop Image Extraction with Channels

03/09/2013

If you're creating image composites, and especially if you're working with stock images, you'll find yourself needing to extract image elements from a white background. This can be a straightforward task with Photoshop, and often you'll get better results with some of the old school techniques. For example, take this image from Shutterstock. Here we have a figure on a white background, and your first thought might be, "I can make short work of this with Quick Selection Tool." (Or the magic wand). [More]

Luminance Masks in Photoshop

02/09/2013

In this video I'll skim over the theory and get stuck in to the very handy luminance mask. Still one of the easiest, and quickest ways to create complicated masks. [More]

Carbonite Cloud Back Up Review and Giveaway!

29/08/2013

The good folks at Carbonite not only let me try it out, but they want one of our readers to have some peace of mind, too, so we’re giving away one year of the Home plan, a $59.99 value to one of you! It can also be used as a free year for anyone that already uses Carbonite. All you have to lose is a little upload time, and since you’re still able to do everything you normally do, that’s no biggie! [More]

Add Copyright Information in Photoshop – Automatically

27/08/2013

It's always a good idea to copyright your work, and that includes embedding the appropriate information into your image metadata. Learn the three step process to create a template to add copyright metadata, to create an action to apply your template, and to use Photoshop's Script Events Manager to run your action every time you work on a file. It may sound scary, but it's a simple process, and you can "set it and forget it." I’ve written about this before a few years back, but this is a good reminder, I’ve brought it up to date with the latest version of Photoshop, and here is a video tutorial for those who prefer video learning. [More]

Adobe Camera RAW from HDR Pro

21/08/2013

I love HDR pro, and with the new Tone in ACR feature the workflow is quicker and easier than ever! With just a few clicks I can avoid all the HDR sliders and work in Adobe Camera Raw, where I’m much more familiar and comfortable with the controls. [More]
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