Have you ever had an image that has bits of color in it that clearly shouldn’t be there? I suppose there are all sorts of reasons they may be there (High ISO, low light…), but all some people care about is that they’re there and they want them to go away! When you see a big splotch of red on a blue shirt, it seems the simple thing to do is to do a Hue / Saturation adjustment, use the dropper to select the red and change the hue and saturation until you have a better match, but the truth is if you do that, the selection won’t be red, it’ll be the same color as the color the splotch is on, or blue. So no go on that. Besides, getting the colors to match, even somewhat, would be a pain, especially if you had a lot of photos taken at the same time, in the same conditions. So, the bad news is you can’t make them just easily go away. You can reduce them, though, and do it pretty fast, too.
Can photo restoration be done in Adobe Camera Raw (ACR)? Of course, you know it is. After all, you’ve seen it before, right? Up to a point, that is. You’re not going to be able to remove specks, spots, cracks and tears in ACR, so to be more precise, what you can do is add clarity. That’s it in a nutshell; restoration in ACR is all about clarity. So I suppose you could say that, no, photo restoration cannot be done in ACR, but tonal recovery most certainly can!
The good folks at Carbonite not only let me try it out, but they want one of our readers to have some peace of mind, too, so we’re giving away one year of the Home plan, a $59.99 value to one of you!
It can also be used as a free year for anyone that already uses Carbonite. All you have to lose is a little upload time, and since you’re still able to do everything you normally do, that’s no biggie!
What you see, below, is an aberration, a crime committed against a helpless photograph. Yes, a real photograph was harmed in the making of this mess. Why it was done is beside the point; it was done many years ago and now this image remains as one of the few a daughter has of her mother. This may not be a situation that comes up for the majority of you, but in case it, or something like it comes up, there’s a fairly easy way to get the white out…out.
Just like us, photographs get age spots. That’s what those rusty spots are, places where the emulsion is breaking down due to age. Typically the ways they’re dealt with is either with the usual suspects, the clone or patch type tools, or by stripping away the blue and green channels (old school) or using the Black & White Adjustment on one of the red filters.
No matter how good the settings on your phones camera are, they probably aren’t going to help out of focus or blurry images. You might try to take multiple shots of whatever you’re photographing, and hope at least one comes out halfway decent – that’s usually my main M.O., but if you are stuck with blurry or out of focus images, what can you do?
A lot of old photos have a textured appearance. Some are so bad they look like they were printed on a heavy watercolor paper, which is a very artsy effect, I’m sure, just not to everyone’s taste! Texture can be corrected, especially if it isn’t too terribly deep, and here’s a super easy way to do it!
What makes portrait photography so much better today than it was in the 19th century? Because, let’s face it, most of those folks didn’t look their best. Was it the lighting? Lack of make-up? The equipment? I imagine all of the above played a part, along with the fact that the subject had to sit up to 15 minutes due to the exposure time, hence no smiles. The lighting, especially at first, was quite harsh. In the beginning limelight was used, which resulted in extremely white, chalky faces, and later, battery operated arc lamps which were also quite stark. Later, around the turn of the century, full walls of windows were often used, taking advantage of daylight, as well as electric light. Even though the renaissance masters figured out how to harness and soften light to paint by (Rembrandt used shutters and a white cloth hanging over the windows to diffuse light), photographic portraiture wouldn’t reach that level until much later in the game.
When last we saw our heroine she was looking a little, well, colorless. Today we’re going to perk things up a bit with a little help from history. First, we need to ask ourselves a couple of questions; what era is our image from and what era’s style do we want to borrow from? Of course, you can color your images any way you like, but personally, I like to borrow styles from the era the image was taken in. For the really old images that may mean striving for a watercolor or pastel look of a hand tinted image and portraits taken in the 40’s may call for the more saturated, glamorous style of that era. I’ll go more into the styles of each era and inspiration at a later date, but for now, since the image I’m working on was taken in the 40’s, you can go online and find an image or images from that era that appeals to you in terms of skin and hair color. You may feel like it’s wrong to borrow an image, but It’s okay to use these images for this purpose – all you’re going to do is sample color palettes, you’re not using the image or reproducing it in any other way.
Plugin by Social Author Bio