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How To Create A Rippling Flag Using The Displace Filter In Adobe Photoshop

06/01/2016

In this tutorial we'll be creating the effect of a rippling flag using custom artwork and one of Photoshop's oldest distortion filters, Displace. The filter uses a monochrome image map to distort the pixels of the target layer based on the tones of the map. The brighter or darker the tone, the more the pixels of the image are pushed horizontally or vertically. This is great for creating the appearance of an object or text following the contours of a texture. [More]

Advanced Compositing With The PixelSquid 3D Photoshop Extension

03/12/2015

In this tutorial we'll look at the advanced features of the plugin, where we can import a high-resolution layered Photoshop PSD file that replaces the low-resolution preview. As well as being highly detailed, the PSD version gives us the ability to blend the 3D object into the scene using specially created layers that allow us to easily control the colour and tone as well as being able to quickly select and adjust the different components of the object. [More]

How To Create A Composite In Photoshop With The PixelSquid 3D Extension

04/11/2015

The main focus of the tutorial is an amazing stock image site named PixelSquid. If you haven’t heard of it before, PixelSquid specialises in pre-rendered 3D stock image objects that can be rotated in real time, enabling you to pick the perfect angle before placing the image into your designs and photo-montages. When the site first launched, it was necessary to download the object at the required angle before adding into your composites, which still left a little guesswork as to whether it was going to fit the scene properly. A recent update has change this. [More]

Create A Template To Display Your Image As A Mounted Canvas In Photoshop Part 2

27/08/2014

In my last tutorial we saw how to create a reusable template to display our artwork as though they were mounted on canvas in situ. The base image I used is a sofa against a wall, both in neutral colours. Whilst this works well most for most images, what if we want to see how the picture would fit a particular location: a client's office or a married couple's lounge, perhaps? In this article I’m going to take the template idea further to enable us to alter the colour of both the sofa and wall colour, giving us far more freedom to match the artwork to specific decor. As before, this will be completely non-destructive as we'll be using adjustment layers and masks to create the effect. We can continue where we left off the last time. If you didn’t see the article, you can access it here, or you can just work with the base image – link below – and add in the artwork later. [More]

Replacing a view through a window with clipping masks in Photoshop Elements

13/09/2013

In this month's Photoshop Elements tutorial I'm going to demonstrate a neat trick for changing the view through a window. There are many ways to approach this, of course, this is a particularly versatile method, however. Instead of cutting out the glass areas of the window and putting the new view beneath, we'll use the window panes as a clipping mask. If you're unfamiliar with the concept of clipping masks, it's a way of hiding parts of a layer based on the visible areas of the layer below. In this case, only the parts of the new view will be visible where they overlap the window panes, giving the impression that we're seeing the scene behind the window frame. This is often preferable to the usual masking technique, particularly if we want to use multiple images to build the composite, where the layers would need to be beneath the target layer as we can control the visibility without the need to move the layers around in the stack. If we want to see the whole image, we simply unclip it. [More]

Quick Mask-Style Selections in Photoshop Elements

16/08/2013

I recently wrote an article here on TipSquirrel about using Photoshop's Pencil tool to make complicated selections. A comment was posted asking if the same thing was possible using Photoshop Elements. The answer to that is yes, but, as with a few things in Elements, we have to use a couple of workarounds. The original tutorial used Photoshop's Quick Mask feature. This allows us to create selections by painting them with the Brush tool (or any other of the drawing tools); the selected areas show up as a coloured overlay. Elements doesn't have this feature, sadly, so we'll be using an adjustment layer and its mask to achieve the same result. [More]

Quickly Spot Mistakes in Your Photoshop Masks

12/07/2013

If you do any kind of Photoshop work using selections and cutouts, you'll know how important it is to be as accurate as possible, particularly when working with images of people. It's easy to miss areas of an object when using the Quick Selection tool, especially when working in intricate areas such as hands, bits of clothing and so on; irregularities can stick out like a sore thumb - or a missing one. They also have a habit of only showing themselves after we think we've finished the cutout, or worse still, we don't notice them at all! [More]

The Graphic Novel Filter: Photoshop Elements’ Diamond in the Rough

14/06/2013

With the release of Elements 11 came three new filters: Pen and Ink, Comic and Graphic Novel. You could be excused from not having known about them as they reside in the Sketch category of the Filters menu, a place you visit in the early stages of using Elements but rarely return. Many of these special effects filters fail to live up to their expectations, not without a lot of additional work afterward, at least. These new sketch filters are different: on the whole they actually do what they're supposed to, and often with fantastic results! My favourite of the three filters is Graphic Novel and that's what we'll be looking at in this tutorial. The effect it produces gives the image a hand-drawn effect with intricate lines similar to those drawn with Rotring precision pens. [More]

Creating Torn Edges in Photoshop and Photoshop Elements

24/05/2013

This month I'm donning my top hat and tuxedo to perform a spectacular card trick for you. First, I'll tear the card in half and then, without so much as a wave of a magic wand, I'll seamlessly mend it right in front of your very eyes! Seriously, though, if you've ever gone delving into the many filters available in Photoshop and Photoshop Elements, you will no doubt have come across the Torn Edges filter. As the name suggests, it will give you a super torn edge effect on your image. Well, no, actually it won't, not if it's applied directly to the image, that is; all you'll end up creating is a fuzzy monochrome graphic element. [More]

Creating a Glittery Text Effect in Adobe Photoshop

11/04/2013

Inspiration often comes from things we've seen as we go about out day-to-day business; posters, TV and printed ads, etc. I was in town the other day and noticed a poster in a bus shelter for a soft drink. The ad headline featured a fancy glittery text effect. I took a photo with my phone for reference and set about seeing what I could come up when I got back to the computer. I wanted to make sure it was easy to create and versatile enough to apply in different situations. [More]

Working with Smart Objects and transformations in Photoshop CS6

07/03/2013

This month I thought I'd highlight a feature of Smart Objects in Photoshop and, to an extent, Photoshop Elements that often gets overlooked. Aside from the ability to scale and distort layers without loss of quality and change the contents simultaneously across multiple copies, another useful trait is that they remember the previous distortion settings; image warp in particular. This is incredibly useful for designers, as it makes it far easier to experiment with idea or creating photo montages, where objects need to be placed into a scene in perspective [More]

Creating a Chiseled Text Effect in Photoshop and Photoshop Elements

11/02/2013

We'll be using Photoshop layer styles to achieve the effect as well as the somewhat obscure Type Mask tool. If you're not familiar with this tool, it's a little like a cross between the Type tool and Quick Mask; we can type our text as usual but when it's committed, instead of creating a layer with the text it creates a selection; this is perfect for the technique as we do not need to work on the text directly. You can follow the original tutorial using the link above but change the dimensions to 1000x200 pixels to create the correct document size. If you don't want to start the image from scratch, it can be downloaded here. [More]

Creating a Marble Texture Effect in Photoshop and Photoshop Elements

17/01/2013

In this tutorial we're going to conjure a marble-style texture in Photoshop and Photoshop Elements. This can be used for anything from 3D textures to creating a fancy background for a web banner; as we have done here. The effect hinges around the Clouds filter; yes, the highly versatile filter that's great for creating anything other than clouds. By combining this with further filters, adjustments and layer blend modes, we can achieve a fairly realistic texture quickly and easily. Let's get started. [More]

Taming your Photoshop Presets

17/08/2012

Do you suffer from unsightly, bulging panels? Are your pickers bursting at the seams? Would you like to shed a few hundred items but still be able to enjoy a healthy choice of custom presets? [More]
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